BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Fondazione Sandretto Re Rebaudengo - ECPv6.8.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://fsrr.org/en/
X-WR-CALDESC:Events for Fondazione Sandretto Re Rebaudengo
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Helsinki
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20130331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20131027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20140330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20141026T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20150329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20151025T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20160327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20161030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20170326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20171029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20180325T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20181028T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20190331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20191027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20200329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20201025T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20210328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20211031T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20221030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20231029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20240331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20241027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20250330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20251026T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0200
TZOFFSETTO:+0300
TZNAME:EEST
DTSTART:20260329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0300
TZOFFSETTO:+0200
TZNAME:EET
DTSTART:20261025T010000
END:STANDARD
TZID:Europe/Rome
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20170326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20171029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20180325T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20181028T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20190331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20191027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20200329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20201025T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20260415T190000
DTEND;TZID=Europe/Helsinki:20260415T210000
DTSTAMP:20260424T214747
CREATED:20260319T110455Z
LAST-MODIFIED:20260415T144547Z
UID:49218-1776279600-1776286800@fsrr.org
SUMMARY:Opening of the solo exhibitions of Diego Marcon\, Xin Liu\, June Crespo\, and Lenz Geerk.
DESCRIPTION:  \nDiego Marcon\, Xin Liu\, June Crespo and Lenz Geerk at Fondazione Sandretto Re RebaudengoOpening: April 15\, 2026\, 7 PM \nOpening TalkFraming Problems / Biennale TecnologiaSpeakers: Patrizia Sandretto Re Rebaudengo\, Guido Saracco\, Massimiliano Gioni\, Hans Ulrich Obrist\, Xin Liu and Diego Marcon \n\nXin Liu – EXHAUST\nApril 15 – October 11The first solo exhibition in Italy by Xin Liu explores the consequences of technological and scientific aspirations by focusing on their residues: space debris\, degraded materials\, altered codes and organisms. Through film\, installations\, and new works\, the artist reflects on what remains after the failure of promises of progress\, transforming waste and obsolescence into generative possibilities.The exhibition is organised in collaboration with K11 Art Foundation (KAF)\, as part of the K11 Art Foundation (KAF) Artist Prize awarded to Xin Liu in 2024\, with curatorial support by Hans Ulrich Obrist. \n\nDiego Marcon – Krapfen\nApril 15 – July 26Krapfen by Diego Marcon is the first work produced through the New Futures Production Fund\, a collaboration between the Fondazione Sandretto Re Rebaudengo and the New Museum in New York. The video features an ambiguously gendered child and four garments: a pair of gloves\, a scarf\, trousers\, and a sweater. The childlike setting is paired with an alarmed and unsettling atmosphere\, in which a krapfen becomes the device through which emotions of terror and annihilation are brought into play. \n\nLenz Geerk – Theatre of the Mind\nApril 15 – October 11The first solo exhibition in an Italian institution dedicated to the painting of Lenz Geerk\, presenting figures\, objects\, and landscapes immersed in silent and introspective atmospheres. Through delicate colors and suspended compositions\, the paintings explore psychological states and intimate moments\, where meaning emerges from subtle emotional tensions rather than explicit narratives. \n\nJune Crespo – Danzante\nCurated by Bernardo FolliniApril 15 – October 11The first institutional exhibition in Italy by June Crespo brings together sculptures and installations that engage with the body and the viewer’s perception. Inspired by the forms of flowers such as the iris and bird of paradise\, the works investigate materials\, surfaces\, and textures to create physical and sensory experiences that evoke vitality\, fragmentation\, and presence.In collaborazione con Secession di Vienna e MO.CO. di Montpellier. \n \n\nImage: Diego MarconKrapfen\, 2025 [Still]Digital video\, colour\, soundDuration: 4 min 44 sec\, looped \nCredit line: © Diego Marcon. Courtesy of the Artist\, Sadie Coles HQ\, London\, and Galerie Buchholz\, Berlin/Cologne/New York. Produced by Fondazione Sandretto Re Rebaudengo\, Lafayette Anticipations\, New Museum\, The Renaissance Society\, The Vega Foundation.
URL:https://fsrr.org/en/evento/opening-of-the-solo-exhibitions-of-diego-marcon-xin-liu-june-crespo-and-lenz-geerk/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/Diego_Marcon__Krapfen__2025__Still__2_high_quality-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20251028T183000
DTEND;TZID=Europe/Helsinki:20251028T203000
DTSTAMP:20260424T214747
CREATED:20251010T122053Z
LAST-MODIFIED:20251010T122053Z
UID:47303-1761676200-1761683400@fsrr.org
SUMMARY:Opening News from the Near Future. 30 Years of the Fondazione Sandretto Re Rebaudengo
DESCRIPTION:News from the Near Future. 30 Years of the Fondazione Sandretto Re Rebaudengo \nOpeningOctober 28 6:30 PM — Fondazione Sandretto Re RebaudengoOctober 29\, 6:30 PM — Museo Nazionale dell'Automobile \nOn the occasion of its thirtieth anniversary\, the Fondazione Sandretto Re Rebaudengo presents News from the Near Future\, a celebration of thirty years of art\, research\, and vision. \nStaged across two venues — the Fondazione and the Museo Nazionale dell'Automobile — the exhibition brings together more than one hundred works from the Sandretto Re Rebaudengo Collection\, featuring artists such as Doug Aitken\, Maurizio Cattelan\, Steve McQueen\, Cindy Sherman\, Wolfgang Tillmans\, Urs Fischer\, Berlinde De Bruyckere\, Paulina Olowska\, Glenn Brown\, and many others. \nA journey that is not chronological but emotional and conceptual\, intertwining thirty years of exhibition history while reflecting on the challenges of the present and visions of the future.
URL:https://fsrr.org/en/evento/opening-news-from-the-near-future-30-years-of-the-fondazione-sandretto-re-rebaudengo/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/Immagine-2025-10-10-141457.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20250612T190000
DTEND;TZID=Europe/Helsinki:20250612T213000
DTSTAMP:20260424T214747
CREATED:20250603T085352Z
LAST-MODIFIED:20250603T085352Z
UID:46728-1749754800-1749763800@fsrr.org
SUMMARY:Alessandra Ferrini. I Saw A Dark Cloud Rise
DESCRIPTION:Alessandra Ferrini. I Saw A Dark Cloud RiseCurated by Bernardo FolliniOpening: June 12 | 7 PM \nFondazione Sandretto Re Rebaudengo presents I Saw a Dark Cloud Rise\, a solo exhibition by Alessandra Ferrini that explores the interconnections between imagination\, technology\, and ideology. The work stems from the artist’s extensive research into the legacy of colonial violence perpetrated during the Italian occupation of Libya. At the same time\, it poses a series of open-ended questions and lines of inquiry that form the foundation for new research into the genealogy of fascist technological fantasies and their genocidal drive.
URL:https://fsrr.org/en/evento/alessandra-ferrini-i-saw-a-dark-cloud-rise/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/Immagine-2025-06-03-104024.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20231007T170000
DTEND;TZID=Europe/Helsinki:20231007T200000
DTSTAMP:20260424T214747
CREATED:20230926T100220Z
LAST-MODIFIED:20230927T162913Z
UID:39488-1696698000-1696708800@fsrr.org
SUMMARY:Shall We Gather by the Water?
DESCRIPTION:Shall We Gather by the Water? \n7 October 2023 \nFrom 17.00  \nFondazione Sandretto Re Rebaudengo\, Torino \n"Shall we Gather by the Water?" is a one-day discursive and performative programme that delves into the intensities of connections and relationships tying together human and more-than-human worlds. It aims to highlight interconnected processes of damage and care\, affirmation and negation\, shedding light on the intricate web of cause and effect active within the contested ecologies of today. \nThe programme is the result of an inter-institutional curatorial collaboration between UNIDEE/Cittadellarte-Fondazione Pistoletto and Fondazione Sandretto Re Rebaudengo. It builds on the conceptual terrain common to two projects: the exhibition “The Butterfly Affect”\, curated by Irene Calderoni and Bernardo Follini\, and currently on view at Fondazione Sandretto Re Rebaudengo\, and the programme of residencies and public events “Neither on Land nor at Sea. Meeting by the Mediterranean Im/Possible”\, curated by Chiara Cartuccia for UNIDEE-Residency Programs at Cittadellarte. \nWhile “The Butterfly Affect” presents the sphere of trans-species affectivity as a locale where to imagine new paradigms of social and environmental coexistence\, moving away from the prescriptions of extractive dominance\, “Neither on Land nor at Sea”\, adopting the un-grounded geographies and colliding historicities of a Mediterranean plural as meeting places\, aims “to congregate to elaborate on the role played by situated practices and shared processes in the promotion of social transformations\, towards epistemic justice”. \n"Shall we Gather by the Water?" weaves together a series of shared moments\, during which invited speakers and artists will contribute to a reflection on eco-social resistance\, active vulnerability\, and the fostering of meaning and significance through storytelling\, poetry and the realm of sound. The programme offers the audience an opportunity to encounter the aforementioned topics in an open space of participation\, exchange\, and enjoyment\, centred around the possibilities stemming from space/time sharing. \nThe opening talk will explore the practices\, research\, and collective endeavours of curator\, researcher\, and cultural organiser Francesca Masoero\, artist\, curator\, and translator Shayma Nader\, and activist\, researcher\, and farmer Yara Dowani. This session will also introduce us to the work of the curatorial platform QANAT and to its investigations into politics and poetics of water. Noor Abed's film\, titled "our songs were ready for all wars to come\," will present an inquiry into the critical role of 'folklore' as a source of knowledge and its potential connections to alternative social and representational models in Palestine. Islam Shabana's lecture performance\, titled “The Geomorphosis Cycles”\, will address the concrete politics of human-made water crises in the cities of Alexandria (Egypt) and Marrakech (Morocco)\, incorporating speculative elements while letting voices from the myth meander through more-than-human scenarios. Finally\, Vashish Soobah's soundscape/listening session\, titled “Different vagues mais meme ocean”\, will weave together a sonic and affective tapestry connecting the two oceanic spaces of the Mediterranean and the Indian Ocean\, through an intimate diasporic perspective. \n  \nProgramme \nSaturday the 7th \n17.00-18.30 Talk with QANAT (Francesca Masoero & Shayma Nader) and Yara Dowani \n18.30 – 19.00 Screening “our songs were ready for all the wars to come” by Noor Abed \n19.00-19.15 break \n19.15-19.45 Lecture-Performance by Islam Shabana \n19.45 Soundscape/Listening Session by Vashish Soobah \n  \nSpeakers and Artists: \nQANAT is a collective platform that explores the politics and poetics of water to reflect and act (up)on the multiple contextual understandings and forms of (re)production of the commons in Morocco\, Palestine and beyond. Drawing from various forms of knowledge and acts of resistance and solidarity to dominant environmental narratives and injustices\, QANAT aims to create spaces through which we can speculate upon new collective imaginaries to design new spatial and epistemological configurations for our cities. The collective develops archives of resonant reflections and actions that knit together local struggles into transnational patterns for nourishing debates across dispersed localities. QANAT was initiated at LE 18\, Marrakech. \nwww.qanat.org \nwww.le18marrakech.com \nFrancesca Masoero works as a curator\, cultural organiser and researcher. She is part of LE 18\, a cultural space in Marrakech (Morocco)\, where she initiated QANAT. With a background in critical theory and political economy\, she explores notions resistances in multiple forms\, including testing collective-making processes within and beyond the art field\, and researching the politics and poetics linked to watery worlds and to forms of being together otherwise. Since 2019\, she has also been collaborating extensively with the Dar Bellarj Foundation (Marrakech - Morocco). \nShayma Nader is an artist\, curator and translator from Palestine. For the past few years\, she's been developing and organising workshops and projects focussed on forging and reactivating memories of and in the land through collective walking\, listening and fictioning to move towards decolonial and land-centred imaginaries and practices. She is a member of Qanat; a collective platform exploring the politics and poetics of water\, and a PhD candidate in artistic research at ARIA at Sint Lucas School of Arts and University of Antwerp. \nYara Dowani is a farmer\, and a natural builder from Jerusalem. Her interest in farming started in 2017 after joining a permaculture design course in Palestine\, and later by joining a research group studying perennial plants and edible wild plants in Palestine. Since 2018\, she has been part of  Om Sleiman farm and she contributed to many initiatives and movements working on agroecology and food sovereignty. Dowani’s current enquiry lies mostly in the educational part of farming and cooperatives forming. \nNoor Abed works at the intersection of performance\, media and film. Her works create situations where social possibilities are both rehearsed and performed. Abed’s work has been screened and exhibited internationally at Anthology Film Archives\, New York\, Gabes Cinema Fen Film Festival\, Tunisia\, Jihlava International Documentary Film Festival\, The New Wight Biennial\, Los Angeles\, Leonard & Bina Gallery\, Montréal\, Ikon Gallery\, Birmingham\, Ujazdowski Centre for Contemporary Art\, Warsaw\, The Mosaic Rooms\, London\, and MAXXI - National Museum of 21st Century Art\, Rome\, among others. In 2020\, she co-founded\, with Lara Khaldi\, the School of Intrusions\, an independent educational collective in Ramallah\, Palestine. Abed is currently a resident at the Rijksakademie in Amsterdam 2022-24 and was recently awarded the Han Nefkens Foundation/Fundació Antoni Tàpies Video Art Production Grant 2022. \nIslam Shabana is an interdisciplinary artist and a digital media designer. Shabana’s work is situated in the intersection of technology with Islamic philosophy\, mythology and studies of human cognition. In his works\, he explores concepts such as system-social dynamics\, religious performative rituals and occult practices\, by means of poetry\, simulation\, science fiction and speculative scenarios. Examining how different technologies are interweaving these concepts producing/reproducing entangling structures between myth\, fiction\, and physical realities. Within such complex intersectional realms\, the digital medium is emphasising the shift in cognitive processes\, oscillating the human experience and imagination between reality and hyperreality\, human and non-human\, physical and mental spaces. Shabana’s work has been featured in exhibitions shown in Townhouse gallery in Cairo\, Le18 in Marrakech with Qanat Collective\, CCA Glasgow\, Mucem in Marseille\, Villa Romana in Florence\, Onasis Air in Athens\, The Mosaic Rooms in London\, Berlin Art Week 2014. Audio/Visual performances featured in Boiler Room\, VCU arts Qatar\, The Royal Northern College of Music in Manchester\, CTM festival in Berlin. \nVashish Soobah is a visual artist and filmmaker born in Sicily to Mauritian parents and raised in Brianza. His practice focuses on the concept of memory and migration\, the meaning of home and identity\, spirituality and issues related to the Mauritian diaspora through biographical and personal narratives. His research is characterised by a deep interest in musical experimentation\, he collaborates with Raheem radio with a monthly show focused on mapping the Mauritian diaspora around the world. Soobah also explores others media such as photography\, screen printing and in the last period he is using the technique of embroidery on fabrics influenced by his office work at a fashion brand. His works were exhibited at MA*GA in Gallarate (2022)\, Almanac Inn in Turin (2022)\, Marsel in Milan (2021)\, Oberdan space (2017) and published by magazines such as i-d\, VICE\, Il POST and Perimeter. On the occasion of the 28th ediBon FESCAAAL in 2017 Soobah presented the documentary "Nanì"\, which traces the history of his family through the eyes of his grandmother. \nChiara Cartuccia is a curator\, writer\, and researcher based in London. She is Visiting Curator 2022/24 at UNIDEE / Cittadellarte–Fondazione Pistoletto\, where she initiated and curates the biennial program “Neither on Land nor at Sea.” Since 2016 she is the co-founder and director of the research-based curatorial platform EX NUNC. Previously\, she held curatorial positions at SAVVY Contemporary in Berlin and Manifesta Biennial in Palermo/Amsterdam\, where she co-curated the Manifesta 12 Planetary Garden Public Programme. Cartuccia has curated exhibitions\, discursive programs\, and performances at The Showroom London\, Goldsmiths College\, Fabra i Coats Barcelona\, Goethe-Institut Bulgaria\, Loop Barcelona\, MACRO\, University of Paris – Diderot\, Venice International Performance Art Week\, Sharjah Art Foundation\, ICA Sofia\, TBA21\, and more. She studied Art History at the University of Rome\, La Sapienza\, earned an MA in Visual Cultures/Contemporary Art Theory from Goldsmiths College\, University of London\, and she is a PhD candidate at the University of Amsterdam – ASCA. Her contributions appear in various art magazines\, with her writing commissioned and published by ArtReview\, "this is tomorrow\," Contemporary &\, Arte e Critica\, Sharjah Art Foundation\, and Afterall\, among others. \nwww.cittadellarte.it/unidee \nwww.neitheronlandnoratsea.art
URL:https://fsrr.org/en/evento/shall-we-gather-by-the-water/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/sito_UNIDEE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200311T080000
DTEND;TZID=Europe/Rome:20200312T200000
DTSTAMP:20260424T214747
CREATED:20200311T150753Z
LAST-MODIFIED:20200311T150753Z
UID:27660-1583913600-1584043200@fsrr.org
SUMMARY:The Fondazione keeps its virtual doors open
DESCRIPTION:Dear everyone\, \nIn this moment of great change\, we are more conscious than ever that contemporary art can be an extraordinary tool to read today's world\, to embrace its complexity and to understand its transformation. We want to keep on making all this possible and will do so by opening our virtual doors\, making projects and materials available online and by actively listening to each other.  \nStarting from today\, on our website's home page www.fsrr.org and on our social media accounts we will share a series of new features.  \nTry this at home \nThrough our Instagram account and our website\, we will engage with families\, students and teachers by sharing content and workshops featured in our e-book Art at Times: an interactive map conceived to explore the world of contemporary art\, available in Italian and in English. https://www.ispeakcontemporary.org/ebook \nThe Life of an Exhibition \nEven though it’s not possible to visit Berlinde De Bruyckere's exhibition in person\, our series of daily stories posted on Instagram\, Facebook and our website\, will make you feel like you here at the Fondazione. These stories will show family workshops\, a performance by a group of art school students inspired by the exhibition\, training courses for teachers\, hands-on activities for children and more\, so that Aletheia can keep on providing inspiration.  \nLet's Read \nLet’s Read is a collaboration between the Fondazione and the Turin Public Libraries. If we can't read together\, we can do it at home\, sharing passages\, quotes\, highlights and recommendations on Instagram Stories using the hashtag #letsread.  \nWe will create a collection of different voices\, words and images to connect us\, all under the theme of change and transformation – a thread that weaves together the Fondazione's 2020 exhibition program. \nI Speak Contemporary \nI Speak Contemporary is an e-learning project\, created in order to get students closer to contemporary art through the use of the English language and made possible through the Diderot Project by Fondazione CRT. On our website www.Ispeakcontemporary.org you can find video lessons on six important contemporary artists: Maurizio Cattelan\, Gabriel Kuri\, Ragnar Kjartansson\, Goschka Macuga\, Paola Pivi and Hans-Peter Feldmann. The website features videos\, texts\, workshops and a rich archive of images and links through its blog. The Instagram account @Ispeakcontemporary also features fresh content about artworks\, artists and exhibitions and posts interviews with students and teachers.  \nIt is now more important than ever to not to feel isolated and to participate and rediscover our voices. We may stay at home but we can remain connected and keep on listening to each other. \n“At this moment in time\, where extremism and racism proliferate\, where compassion and solidarity have withered\, where we see so many resemblances to the restlessness of the late 30’s that preceded the unspeakable monstrosities of the Holocaust\, where this particular defamation of civilization is being questioned and denied by people with too much political power\, I feel the need to bring bold\, strong images – to bring this room to the audience as a sensatory\, immersive experience.” Berlinde De Bruyckere  \nHere you can watch the interview to Berlinde De Bruyckere made by the students of Turin's Liceo Artistico Cottini: https://vimeo.com/370816009
URL:https://fsrr.org/en/evento/the-fondazione-keeps-its-virtual-doors-open/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/dainserire.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20200206T183000
DTEND;TZID=Europe/Rome:20200206T203000
DTSTAMP:20260424T214747
CREATED:20200113T123042Z
LAST-MODIFIED:20200113T123042Z
UID:27513-1581013800-1581021000@fsrr.org
SUMMARY:Artist talk by Berlinde De Bruyckere
DESCRIPTION:On February 6\, at 6.30 pm\, the Auditorium of Fondazione Sandretto Re Rebaudengo will host a talk by Berlinde De Bruyckere. The artist will share with the public the creative trajectory and main themes at the centre of the exhibition ALETHEIA currently on view at the Fondazione.\nThe lecture will be introduced by Irene Calderoni\, curator of the exhibition. \nThe conference will be held in English with Italian translation \nFree admission\, subject to availability\nTo book: rsvp@test.fsrr.org
URL:https://fsrr.org/en/evento/artist-talk-by-berlinde-de-bruyckere/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/FSRR19-067_2-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20191101T190000
DTEND;TZID=Europe/Rome:20191101T210000
DTSTAMP:20260424T214747
CREATED:20190930T104024Z
LAST-MODIFIED:20191014T104923Z
UID:27148-1572634800-1572642000@fsrr.org
SUMMARY:Berlinde De Bruyckere
DESCRIPTION:Berlinde De Bruyckere. ALETHEIA\n1 November 2019 – 15 March 2020\nOpening 1 November\, h 7 pm \nFondazione Sandretto Re Rebaudengo presents ALETHEIA\, a large monographic exhibition dedicated to the work of Berlinde De Bruyckere (Ghent\, 1964).\nWith her sculptures\, De Bruyckere investigates universal themes such as the suffering body\, pain and memory\, and the need to overcome and transform. Consistently drawing from art history and mythology\, as well as the everyday reality of failing social structures\, De Bruyckere creates work with a strong emotional impact\, whose materiality invites the viewer to reflect on the human condition. On this occasion\, the artist has conceived a condensed body of work that is displayed throughout the entire exhibition space of the Foundation in order to create an organic narrative – an intense dramaturgy developing from distinct monumental sculptures to culminate in a large\, environmental installation.
URL:https://fsrr.org/en/evento/berlinde-de-bruyckere/
ATTACH;FMTTYPE=image/png:https://fsrr.org/wp-content/uploads/BDB-6.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190921T183000
DTEND;TZID=Europe/Rome:20190921T210000
DTSTAMP:20260424T214747
CREATED:20190830T100919Z
LAST-MODIFIED:20190920T135417Z
UID:27037-1569090600-1569099600@fsrr.org
SUMMARY:Opening Da Guarene all'Etna 2019
DESCRIPTION:Da Guarene all'Etna 2019\nBoiling Projects \nPalazzo Re Rebaudengo\, Guarene d’Alba (CN) \nSeptember 21 – November 17\, 2019\nOpening: September 21 at 7.30 PM \nSandretto Re Rebaudengo Foundation presents the exhibition Da Guarene all'Etna (From Guarene to Etna 2019) – Boiling Projects\, that will be held at Palazzo Re Rebaudengo between September 21 and November 17. \nExactly twenty years after the first exhibition held in Taormina in December 1999\, and following its subsequent editions (the last being GE/14 Altro dalle immagini in 2014)\, Turin’s Sandretto Re Rebaudengo Foundation aims to celebrate this long cycle of significant exhibitions that marked four decades of photographic research in Italy with a new show carrying the emblematic title of GE/19 Boiling Projects. \nFrom Guarene to Etna 2019 is a project in collaboration with OELLE Foundation\, Catania.\nTwenty-five artists are the protagonists of this new appointment that\, starting September 21\, will take place in Guarene d’Alba within the historical venue of the Sandretto Re Rebaudengo Foundation. Among the twenty-five invited artists\, we find photographers such as Luca Campigotto\, Paola De Pietri\, Alessandra Spranzi\, Francesco Jodice\, Antonio Biasiucci\, Pino Musi\, Carmelo Nicosia\, Daniele De Lonti\, Luca Andreoni\, Tancredi Mangano and Antonio Fortugno\, who in 1999 were considered “emerging artists”\, and today are the points of reference for the younger generations. \nSince then\, Italian photography has walked down many paths\, at times very different from one another. It has widened its horizon and\, most of all\, the meaning attributed to images today.\nBy specifying once again its inherent fragmentation\, photographic research presents itself as a container for ideas and projects that\, once fermented\, can find solutions that sometimes are in line with this moment in history; other times\, it offers an escape route\, or a mirror for existential matters – like in the work of younger artists such as Claudio Gobbi\, Gianni Troilo\, the duo composed by Tommaso Fiscaletti and Nic Grobler\, Gianni Ferrero Merlino\, Francesco Cardarelli\, Nicolò Degiorgis\, Luca Pozzi\, Renato Leotta\, Marco Tagliafico\, Paola Pasquaretta\, Tiziano Mainieri\, Elisa Crostella\, Giuliano Severini\, and Francesco Di Giovanni. \nPhotographs\, films\, installations\, performance documentation\, visual storytelling – a collection of “works in progress” that appears miscellaneous\, and yet\, in its entirety\, shows a cohesion in terms of expressive capability and modality of communication. \nIn the spring of 2020\, the exhibition will be showcased again at OELLE Foundation in Catania.\nThe exhibition is curated by Filippo Maggia and will be accompanied by a catalog published by Skira. \nPalazzo Re Rebaudengo\,\nPiazza del Municipio\, Guarene d'Alba (CN)\nwww.fsrr.org
URL:https://fsrr.org/en/evento/opening-da-guarene-alletna-2019/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/66.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190308T120000
DTEND;TZID=Europe/Rome:20190308T200000
DTSTAMP:20260424T214747
CREATED:20190304T094831Z
LAST-MODIFIED:20190304T094831Z
UID:26456-1552046400-1552075200@fsrr.org
SUMMARY:Women's Day March 8 2019. Closure of exhibitions postponed at 20
DESCRIPTION:Closure of exhibitions postponed at 20 \nThe Foundation offers to all women\, from 16 to 20\, a free drink at the Spazio7 café.\nFor men free entry to exhibitions.
URL:https://fsrr.org/en/evento/womens-day-march-8-2019-closure-of-exhibitions-postponed-at-20/
LOCATION:Fondazione Sandretto Re Rebaudengo\, Via Modane 16\, Torino
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/FSRR-Opening-Armitage-042-copia.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190221T190000
DTEND;TZID=Europe/Rome:20190221T230000
DTSTAMP:20260424T214747
CREATED:20190201T090341Z
LAST-MODIFIED:20190221T080812Z
UID:26330-1550775600-1550790000@fsrr.org
SUMMARY:Next Exhibitions
DESCRIPTION:The Promised Land\nMichael Armitage \nOpening: 21 february\, h 7 pm \nThe Fondazione Sandretto Re Rebaudengo presents “The Promised Land”\, the first solo show of Michael Armitage (1984) in Italy. The exhibition includes existing works along with new paintings\, produced specifically for the occasion.\nInfo
URL:https://fsrr.org/en/evento/next-exhibitions/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/Michael-Armitage2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20190214T190000
DTEND;TZID=Europe/Rome:20190214T230000
DTSTAMP:20260424T214747
CREATED:20190128T140212Z
LAST-MODIFIED:20190128T140400Z
UID:26306-1550170800-1550185200@fsrr.org
SUMMARY:Mikhail Karikis. CHILDREN OF UNQUIET
DESCRIPTION:CHILDREN OF UNQUIET\nMikhail Karikis \ncurated by\nValerio Del Baglivo\nMichele Bertolino (Junior Curator) \nOpening\n14.02\, h. 19:00\n102 yEARS OUT OF SYNCH\nperformance\, 14.02\, h. 19.15 \nFondazione Sandretto Re Rebaudengo hosts the second chapter of The Institute of Things to Come\, with an exhibition\, a performance and a workshop of artist Mikhail Karikis. Founded in 2017 by artist Ludovica Carbotta and curator Valerio Del Baglivo\, The Institute of Things to Come is an itinerant art programme aimed at investigating forms of imaginative speculation as cultural strategies and methodologies for critical positions. The 2018 theme is TERRA INCOGNITA (a Latin term used in ancient cartography to indicate the existence of unexplored lands) and it is inspired by the book of sociologist Albert Meister\, Under the Beabourg (1976). In his text Meister describes the existence of an imaginary museum right beneath the original one: an underground-cultural center (a Beabourg with lowercase “b”) where an assembly of four thousand people organizes a countercultural pole. This reference is taken as a starting point to speculate about fictional territories\, places and landscapes invented by artists\, that have served as literal and metaphorical sites of subversion\, anti-authoritarianism\, utopia and fantasy. \nThe artist Mikhail Karikis exhibits\, for the first time in an Italian institution\, Children of Unquiet\, a research project that rethinks the destiny of Larderello (Pisa)\, the site of the first geothermal power plant in the world\, and today a territory disfigured by the effects of industrial automation. Investigating the voice as a sculptural material and a socio-political agent\, Karikis has explored collaborative work with communities as a means to help engagement with social causes. The themes of labour\, industrial landscape\, and the effects of globalization on local communities represent some of the preoccupations of his recent film projects. In his work with communities the artist often resonates with new ways of thinking about the destiny of territories scarred by industrial obsolescence.\nIn Children of Unquiet the artist Mikhail Karikis collaborated with youth to orchestrate a children’s ‘take-over’ of an abandoned workers’ village in Tuscany. The video is filmed in the Tuscan geothermal area of Valle del Diavolo\, known for inspiring the hellish descriptions of Dante’s Inferno\, for being the place where sustainable energy production was invented in the early 1900s and where the first geothermal power plant in the world was built. Until the 1980s\, five thousand workers and their families lived in a cluster of iconic modernist industrial villages built around the power station and master-planned by the influential architect Giovanni Michelucci. Following the introduction of technologies that replaced human labour in the power plant however\, unemployment in the area increased and prospects for the young became limited resulting in the rapid depopulation and complete desertion of entire villages.\nChildren of Unquiet features forty-five children who are growing up in the region and near an industrial village which was abandoned by their parents after the near-complete automation of the geothermal power plant where they worked. In the video\, youngsters between five and twelve years old seize the depopulated sites transforming the vaporous wasteland into an amphitheatre\, a playground and a self-organised school at the same time. They sing and harmonise with the powerful subterranean rumbles and industrial noises resonating across the area; they congregate in the ruins to read political texts by Antonio Negri and Michael Hardt\, and play among the abandoned homes.\nIn turn playful and meditative\, spectacular and intimate\, operatic and realist\, Children of Unquiet resonates with alternative ways of thinking about the destiny of territories which are scarred by capitalist transformations. It reflects on post-industrial legacies and hints at possible or desired ecological futures conjured up by the poetic and activist imagination of the generation that is most affected by current socio-economic changes.\nAt the opening\, joined by Ilaria Gadenz (co-founder of Radio Papesse)\, the artist presents 102 Years Out of Synch\, an audio-visual performance that retraces Dante’s steps to Valle del Diavolo in an attempt to hear what the poet might have heard. Combining newly filmed footage and fragments of the 1911 silent film L’Inferno\, environmental sound recordings\, narration and extended vocals\, 102 Years Out of Synch mines the strata of legend\, industrial archaeology\, subterranean resonance and the aural imaginary.\nFinally after the opening\, the artist lead the workshop Political Love in collaboration with curator Sofia Victorino (Daskalopoulos Director of Education and Public Programmes at Whitechapel Gallery in London) for our 2018/19 Associates (Josephine Baan\, Emma Brasó\, Emily Fitzell\, Constantinos Taliotis\, Jérôme de Vienne\, Stephanie Winter). Inspired by many political activists’ practices and texts (including Toni Negri’s and Michael Hardt’s essay on ‘political love’) the workshop reflects on how we can become more aware of the politics in our encounters with others sensitised to the hierarchies implied in our use of architecture and recording technologies\, and more knowledgeable about how representation can empower and give agency.\nChildren of Unquiet was produced by Radio Papesse and commissioned by Art Sheffield 2013\, the Biennale of Sydney 2014\, Radio Papesse and Villa Romana. \nMikhail Karikis is a Greek-British artist based in London. Shortlisted for the 2016 Film London Derek Jarman Award (UK) and the 2015 Daiwa Art Prize (JP/UK)\, Karikis has a background in art\, architecture and music\, and often collaborates with communities to create projects that highlight alternative modes of human existence\, solidarity and action. His work is exhibited widely in museums and international biennials including Yebisu International Festival of Art & Alternative Visions\, Tokyo Museum of Photographic Arts\, JP (2019); Ear to the Ground\, New Orleans Museum of Art\, USA (2018-2019); Artists’ Film International\, touring sixteen countries (2017-2018); British Art Show 8\, UK (2015-2017); Kochi-Muziris Biennale\, (2016-2017) IN; 5th Thessaloniki Biennale\, GR (2015); 19th Biennale of Sydney\, AU (2014); Mediacity Seoul/SeMA Biennale\, Seoul\, KR (2014); Inside\, Palais de Tokyo\, Paris\, FR (2014-2015); Assembly\, TATE Britain\, London\, UK (2014); 2nd Aichi Triennale\, Nagoya\, JP (2013); Videonale 14\, Bonn\, DE (2013); Manifesta 9\, Ghenk\, BE (2012); and Danish Pavilion 54th Venice Biennale\, IT (2011). Solo exhibitions include Mikhail Karikis\, MORI Art Museum\, Tokyo\, JP (2019); Not an Ordinary Protest\, Whitechapel Gallery\, London\, UK (2018-2019); Ain’t Got No Fear\, Turku Art Museum\, FI (2018); The Chalk Factory\, Aarhus 2017 European Capital of Culture\, DK (2017); Love Is the Institution of Revolution\, Casino Luxembourg\, LU (2017). Forthcoming exhibitions will be presented at De la Warr Pavilion\, UK and MIMA\, UK.
URL:https://fsrr.org/en/evento/mikhail-karikis-children-of-unquiet/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/Mikhail-Karkis.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20181121T183000
DTEND;TZID=Europe/Rome:20181121T210000
DTSTAMP:20260424T214747
CREATED:20181109T110420Z
LAST-MODIFIED:20181109T110453Z
UID:26073-1542825000-1542834000@fsrr.org
SUMMARY:At the crossroads of different pasts\, presents and futures
DESCRIPTION:21-11-2018\nAt the crossroads of different pasts\, presents and futures\nSimon O’Sullivan | Mohamed Abdelkarim | Nicoline van Harskamp  \nFondazione Sandretto Re Rebaudengo\nvia Modane\, 16  Turin \nh. 6:30 - 9:00 pm  \nThe Institute of Things to Come inaugurates its 2018-19 programme entitled TERRA INCOGNITA on 21 of November with “At the crossroads of different pasts\, presents and futures” a night of talks\, performances and screenings at Fondazione Sandretto Re Rebaudengo\, Turin. The term “Terra Incognita” was used in ancient cartography to indicate the existence of unexplored places and lands. Along the 2018-19 The Institute takes this reference as a starting point to speculate about fictional territories\, places and landscapes invented by artists\, that have served as literal and metaphorical sites of subversion\, anti-authoritarianism\, utopia and fantasy. \nThe opening event of the 2018-19 programme At the crossroads of different pasts\, presents and futures reasons on the standardized representation of historical narration\, the intertwining of different time frames\, and the act of transmission as a form of resistance to power structures. Invited artists Simon O’Sullivan\, Mohamed Abdelkarim and Nicoline Van Harskamp inhabit and construct worlds of their own logic where imaginary communities\, invented characters\, and historical figures interlace their existences and produce counter narrations that recognizes the existence of different times and landscapes. Artist and thinker Simon O’Sullivan gives a talk about mythopoesis\, myth-science\, mythotechnesis addressing fictioning as a ‘counter-strategy’ against today’s post-truth and post-fact political terrain; Nicoline Van Harskamp presents her film PDGN that portrays a future no longer controlled by national governments or global corporations\, and where a new linking language is seen to develop between people through voluntary self-instruction; to conclude artist Mohamed Abdelkarim performs When it comes to truth I wouldn’t dare to tell it\, a narrative fictional anthology consisting of anecdotes\, poems\, songs and radio drama that revisits History and its impacts on complex social issues. \nSIMON O’SULLIVAN\nFictioning: Mythopoesis\, Myth-science and Mythotechnesis\n30 minutes talk in English  \nThe  talk will address the performance of fictions. In particular Simon O’Sullivan will be interested in how such practices (of what I call fictioning) can open up other worlds from within this one and how this might constitute a ‘counter-strategy’ against todays post-truth and post-fact political terrain. O’Sullivan will also introduce his wider collaborative research project (carried out with David Burrows) on mythopoesis/myth-science/mythotechnesis\, attending to a historical sequencing between these but also\, more importantly\, to the idea of temporal loops operating between different pasts\, presents and futures.  \nNICOLINE VAN HARKSAMP\nPDGN\n2016\, Single Channel Video\, 16’ 53’’\, with italian subtitles  \nPDGN is a fiction video that portrays a future in which the world is no longer run by national govern- ments or global corporations\, and that is neither utopian nor dystopian. A new link language is devel-oping between people across this world through voluntary self-instruction. The script for PDGN wasconstructed from actually spoken\, non-native English in a series of workshops. Some aspects of lan-guage and narrative were borrowed from feminist fiction that proposes systems of language-change\, such as Marge Piercy’s Women on the Edge of Time (1976) and Suzette Haden Elgin’s Native Tongue (1984). The language of the script was further developed by applying common and expected factorsof language evolution in the areas of syntax\, lexicon\, and phonetics. These ‘distorting factors’ wereconceptualized with the help of academics in fields such as creole studies\, computational linguisticsand language acquisition as well as Esperantists\, recreational language inventors\, and the lead ac-tresses Ariane Barnes\, Mouna Albakry and Paula So Man Siu. \nMOHAMED ABDELKARIM\nWhen it comes to truth I wouldn't dare to tell it\nA narrative anthology consists of anecdotes\, poems\, songs and radio drama. \nPerformance with italian subtitles\, 40 minutes \nThe performance is a sub-episode from the series project Dramatic episodes about Locomotion (2014–2017). In this episode\, the project revisits a number of stories through the performer Haroun Kanshour whom the artist imagined and he encounter with. Stories float over characters are marginalised from what known as History.\nDramatic episodes about Locomotion is a long-term project\, conceptually in a position of re-reading and re-examining the disaster through the dichotomy of Means of production vs. Cultural genealogy and its impacts on different social phenomena such as religion\, gender and nationalism. Utilise stories from the Middle Ages era as a paradigm to understand contemporary issues. \nBiographies\nSimon O’Sullivan is Professor of Art Theory and Practice in the Department of Visual Cultures at Goldsmiths College\, University of London. He has published two monographs with Palgrave\, Art Encounters Deleuze and Guattari: Thought Beyond Representation (2005) and On the Production of Subjectivity: Five Diagrams of the Finite-Infinite Relation (2012)\, and is co-editor (with Henriette Gunkel and Ayesha Hameed) of Futures and Fictions (Repeater\, 2017) and (with Stephen Zepke) of both Deleuze\, Guattari and the Production of the New (Continuum\, 2008) and Deleuze and Contemporary Art (Edinburgh University Press\, 2009). He also makes art\, with David Burrows and others\, under the name Plastique Fantastique – and is currently working on a collaborative volume of writings\, with Burrows\, Fictioning: The Myth-Function of Contemporary Art and Philosophy. \nNicoline van Harskamp studied at the Royal Academy of Visual Arts\, KABK\, in The Hague\, and the Chelsea College of Art and Design\, in London. Her works have been presented at BAK Utrecht; KunstWerke Berlin; Kunstraum London; and BMW Tate Live Performance Room. She took part in Sydney Biennale; Eva International Limerick; Manifesta 9 Genk; Gothenburg Biennale; Bucharest Biennale; and exhibitions at Witte de With; CAAC Sevilla; Kadist Paris; Rotor Graz; FRAC Lorraine; and Clark House Bombay. She received the 2009 Prix de Rome award. Currently she holds teaching positions at Sandberg Institute Amsterdam and Kunstakademie Münster. \nMohamed Abdelkarim was born in Minya (Egypt) in 1983. After he had written his Master’s thesis of knowledge engagement at ECAV\, Switzerland 2014\, Abdelkarim turned toward producing text-based performances\, and become committed to performative practices across multidisciplinary research\, concerning the perception of narrating\, singing\, dancing\, detecting and doing.\nHis practice engages with these actions through the focus on travel\, locomotion\, renegades history and picaresque literature\, where a series of non-linear\, serendipitous encounters with concepts\, fictions\, almost truth and what is known as historical facts\, are gathered to form a script and an archive of events and stories. In this context\, his practice aims at producing narratives and expose the way narratives are produced. As part of his performative practices\, Abdelkarim established a project "Tadbikat" as a performative project that brings together (and synthesises across) lectures\, debates\, group readings\, critical responses\, and creative quests\, alongside with organising performance nights under the title of "Live Praxes."
URL:https://fsrr.org/en/evento/at-the-crossroads-of-different-pasts-presents-and-futures/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/institute.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20180913T190000
DTEND;TZID=Europe/Rome:20180913T210000
DTSTAMP:20260424T214747
CREATED:20180726T110023Z
LAST-MODIFIED:20180726T121210Z
UID:25792-1536865200-1536872400@fsrr.org
SUMMARY:OPENING BRAZIL and REVERSED THEATRE. FABRIZIO COTOGNINI
DESCRIPTION:OPENING \n"BRAZIL" \n"REVERSED THEATRE. FABRIZIO COTOGNINI" \nThursday 13 September 2018 \n7 - 9 pm \nBrazil\nSophie T. Lvoff\, Lou Masduraud\, Irène Mélix\, Georgia René-Worms\, Maha Yammine\nCurated by Bernardo Follini \nReversed Theatre\nFabrizio Cotognini\nCurated by Lorenzo Benedetti \nOpening & Cocktail
URL:https://fsrr.org/en/evento/opening-brazil-and-reversed-theatre-fabrizio-cotognini/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/cotognini.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20170921T190000
DTEND;TZID=Europe/Rome:20170921T210000
DTSTAMP:20260424T214747
CREATED:20170719T081451Z
LAST-MODIFIED:20170721T120533Z
UID:24467-1506020400-1506027600@fsrr.org
SUMMARY:Ghita Skali
DESCRIPTION:On September 21th Fondazione Sandretto Re Rebaudengo will open the first solo show in Italy of Ghita Skali (Casablanca\, 1992)\, curated by Lorenzo Balbi. The exhibition is the result of a six-years-long collaboration with ENSBA Lyon - École Nationale Supérieure des Beaux Artes.\nStarting from the observation of a new subtropical landscape tipology\, Ghita Skali's research is focused on the aesthetic and social implications of artificial date palms\, recently employed in the urban context. The plants are designed thanks to advanced technological and eingeneering studies and today they constitue the most modern camouflage system of telecommunications. At the same time\, the palms become a paradigm of contemporary strategies aimed at integrating the natural and the built landscape.
URL:https://fsrr.org/en/evento/ghita-skali/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/unnamed.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20170921T190000
DTEND;TZID=Europe/Rome:20170921T210000
DTSTAMP:20260424T214747
CREATED:20170719T075414Z
LAST-MODIFIED:20170719T075844Z
UID:24461-1506020400-1506027600@fsrr.org
SUMMARY:The Institute of Things to Come - Hervé & Maillet
DESCRIPTION:On Thursday 21 September 2017 Fondazione Sandretto Re Rebaudengo will open the fourth and last chapter of The Institute of Things to Come\, a temporary research centre on futurological scenarios which includes a series of four solo exhibitions and a program of workshops.\nThe duo Louise Hervé & Chloé Maillet will present The Waterway\, a film that combines marine archaeology\, thalassotherapy\, forgotten civilizations\, immortality and post-humanity\, offering a contemporary and poetic view on a history of aquatic fantasy.\nThe artists will also lead a workshop inspired by Jacques Tourneur film The City In The Sea\, exploring underwater archaeology and fantasy of eternal subaquatic life confronted to the reality of the conflicts between human and non-human in the Mediterranean.
URL:https://fsrr.org/en/evento/the-institute-of-things-to-come-herve-maillet/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/itc.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20170622T190000
DTEND;TZID=Europe/Rome:20170622T210000
DTSTAMP:20260424T214747
CREATED:20170612T085156Z
LAST-MODIFIED:20170612T085313Z
UID:24360-1498158000-1498165200@fsrr.org
SUMMARY:Opening ALEX CECCHETTI - CETACEANS
DESCRIPTION:Opening: 22th of June 2017\, h 7 pm\nFor the third chapter of The Institute of things to come\, artist Alex Cecchetti exhibits Cetaceans\, a polyphonic concerto for a choir\, a glass harmonica and a waterphone\, exploring dreams\, dizziness\, time lapses and lucid dreams\, as states in which a different form of interaction is produced.\nInfo
URL:https://fsrr.org/en/evento/opening-alex-cecchetti-cetaceans/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/NOTTE-LUSORIA-squared-image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20160514T140000
DTEND;TZID=Europe/Helsinki:20160515T170000
DTSTAMP:20260424T214747
CREATED:20160421T103806Z
LAST-MODIFIED:20170331T043442Z
UID:9617-1463234400-1463331600@fsrr.org
SUMMARY:Building Bridges: Curatorial Education and Professional Paths
DESCRIPTION:SYMPOSIUM \n 14 - 15 May 2016\n Auditorium\n Fondazione Sandretto Re Rebaudengo\, Turin \nCelebrating 10 years of its Residency for Young Curators\, Fondazione Sandretto Re Rebaudengo promotes an international symposium on curatorial practices\, training programmes and career opportunities for new generations of curators. The event is organised in collaboration with Compagnia di San Paolo\, who supports the Residency programme since its first edition in 2007.\n30 years have elapsed since the launch of the very first curator courses\, and today the international training programme offer is a very broad and varied one\, including academic courses and independent study programmes offered by institutions. What is less studied is the critical transition stage from the school setting to the art world: what options can be provided to young curators\, who are well-equipped from the point of view of theory\, yet often lack professional experience? Which tools\, institutional programmes\, and independent initiatives are more interesting to analyze in this respect? Are schools and exhibiting institutions talking often enough to one another\, both on a theoretical and on an operative level?\nThe symposium will see the participation of directors from some of the foremost curatorial schools worldwide\, of museum directors and curators who will be asked to share their reflections on these topics\, comparing their respective positions within the system and the most significant case histories.\nThe second part of the symposium will focus on the experience of the Young Curators Residency Programme of Fondazione Sandretto Re Rebaudengo. Launched in 2007\, the programme welcomes each year 3 alumni from international curatorial courses\, and gives them the opportunity to take a study trip across Italy\, with the aim of co-curating a final exhibition to be held in the building of the Foundation. Designed as a bridge between training and profession\, the residency has the twofold objective of promoting the knowledge of contemporary art and providing a platform for experimentation\, along with the tools for creating a curatorial project.\nThrough the voices of the protagonists\, some of them curators who took part in the various editions of the Residency\, or artists featured in the exhibitions\, we will review 10 years in Italian art\, as it has been received and portrayed in as many shows\, which form an archive of artistic approaches and innovative curatorial practices. \nINFO \nThe Symposium will take place in the Auditorium of Fondazione Sandretto Re Rebaudengo\, Via Modane 16\, Turin. The talks will be held in English; a translation service will be provided. Participation is free but booking is required due to limited seating.\nFor information\, booking and logistic support to groups\, please contact the organization.\nexhibition@test.fsrr.org / +39.0113797603\nwww.fsrr.org / www.fsrr.org/ycrp \nSchedule\n\nSaturday 14 May 2016\n2.00\nInstitutional welcomes\nPatrizia Sandretto Re Rebaudengo\nPresident\, Fondazione Sandretto Re Rebaudengo \n2.30\nIntroduction\nIrene Calderoni \nKeynote Speech\nFrancesco Bonami \n3.00\nRound Table\n- Thinking about each other. How do schools and institutions consider each other a relevant counterpart\n - Fostering singularities vs training professionals. How curatorial education is structured to deal with this polarity\nParticipants: Tom Eccles\, Pavel Pyś\, Beatrix Ruf\, Simon Sheikh\nDiscussion moderated by: Mark Rappolt \n4.30\nPausa \n5.00\nRound Table\n- Off the beaten track. Are schools places to invent new institutions?\n - One place after another. Residencies and other opportunities for young curators.\nParticipants: João Laia\, Francesco Manacorda\, Kate Strain\, Joanna Warsza\nDiscussion moderated by: Mark Rappolt \n6.30\nTenzing Barshee\, Molly Everett e Dorota Michalska introduce Passo dopo Passo\, the final exhibition of the 10th Young Curators Residency Programme \n7.00\nExhibition Opening \nSunday 15 May 2016 \n10.30\nIntroduction\nLorenzo Balbi \n10 years of research on Italian contemporary art\nDiscussions moderated by Stefano Collicelli Cagol \n11.00\n1st panel\nGianluca e Massimiliano De Serio\, Rosalie Doubal\, João Laia\, Pavel Pyś\, Cesare Pietroiusti\, Rä di Martino \n13:00 lunch \n2:30\n2nd panel\nElisa Caldana\, Tomaso De Luca\, Molly Everett\, Chiara Fumai\, Riccardo Giacconi\, Andrey Parshikov\, Kate Strain \n5:00 end \nSPEAKERS\n\nLorenzo Balbi\nCurator\, Fondazione Sandretto Re Rebaudengo \nFrancesco Bonami\nHonorary Director\, Fondazione Sandretto Re Rebaudengo \nElisa Caldana\nArtist \nIrene Calderoni\nCurator\, Fondazione Sandretto Re Rebaudengo \nStefano Collicelli Cagol\nCurator at large\, Trondheim Kunstmuseum \nTomaso De Luca\nArtist \nGianluca e Massimiliano De Serio\nArtists \nRosalie Doubal\nCurator\, Talks and Events\, ICA London \nTom Eccles\nExecutive Director\, Center for Curatorial Studies\, Bard College\, NY \nMolly Everett\nCurator in Residence\, Fondazione Sandretto Re Rebaudengo \nChiara Fumai\nArtist \nRiccardo Giacconi\nArtist \nJoão Laia\nCo-founder\, The Green Parrot\, Barcellona \nFranceco Manacorda\nDirector\, Tate Liverpool \nRä di Martino\nArtist \nAndrey Parshikov\nIndependent Curator\, Moscow \nCesare Pietroiusti\nArtist \nPavel Pyś\nCurator\, Walker art Center\, Minneapolis \nMark Rappolt\nEditor-in-Chief\, ArtReview \nBeatrix Ruf\nDirector\, Steedelijk Museum\, Amsterdam \nSimon Sheikh\nProgramme Director\, MFA Curating\, Goldsmiths College\, London \nKate Strain\nIndependent Curator\, Dublino \nJoanna Warsza\nHead\, CuratorLab\, Konstfack\, Stockholm
URL:https://fsrr.org/en/evento/building-bridges-curatorial-education-and-professional/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/2008-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20151104T190000
DTEND;TZID=Europe/Helsinki:20151104T210000
DTSTAMP:20260424T214747
CREATED:20150930T135155Z
LAST-MODIFIED:20151013T081825Z
UID:8746-1446663600-1446670800@fsrr.org
SUMMARY:Opening "Adrián Villar Rojas. Rinascimento"
DESCRIPTION:Adrián Villar Rojas. Rinascimento\n4 november - 28 february 2016 \nOpening: 4 november 2015\, h. 7 pm\nCurated by Irene Calderoni \nInfo
URL:https://fsrr.org/en/evento/opening-adrian-villar-rojas-renaissance-2/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/AVR.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20150212T183000
DTEND;TZID=Europe/Helsinki:20150212T210000
DTSTAMP:20260424T214747
CREATED:20150116T093145Z
LAST-MODIFIED:20150116T093145Z
UID:7246-1423765800-1423774800@fsrr.org
SUMMARY:Opening exhibition of Avery Singer
DESCRIPTION:Patrizia Sandretto Re Rebaudengo \ninvites you to the opening of the exhibition \nAvery Singer\n Pictures Punish Words\ncurated by Beatrix Ruf \nThursday 12 February 2015 \n6.30 pm\ntalk between Avery Singer and Beatrix Ruf\, Director of Stedelijk Museum Amsterdam \nfrom 7 till 9 pm\n opening and cocktail reception
URL:https://fsrr.org/en/evento/opening-exhibition-of-avery-singer/
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/AVERY-SINGER1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20141029T183000
DTEND;TZID=Europe/Helsinki:20141029T210000
DTSTAMP:20260424T214747
CREATED:20141009T100119Z
LAST-MODIFIED:20141009T100119Z
UID:4622-1414607400-1414616400@fsrr.org
SUMMARY:Opening - Beware Wet Paint + Isa Genzken
DESCRIPTION:Wednesday 29th October at 6.30 pm\, opening: \nBeware Wet Paint\n Isa Genzken \nFree entry
URL:https://fsrr.org/en/evento/opening-beware-wet-paint-isa-genzken/
LOCATION:Fondazione Sandretto Re Rebaudengo\, via Modane 16\, Torino
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/BEWARE-WET-PAINT.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Helsinki:20131108T190000
DTEND;TZID=Europe/Helsinki:20131108T200000
DTSTAMP:20260424T214747
CREATED:20131105T100244Z
LAST-MODIFIED:20131108T072319Z
UID:1039-1383937200-1383940800@fsrr.org
SUMMARY:RE REBAUDENGO SERPENTINE GRANTS
DESCRIPTION:Presentation of the Award and of the winning artists.\nSpeakers:\nPatrizia Sandretto Re Rebaudengo\, president Fondazione Sandretto Re Rebaudengo;\nJulia Peyton-Jones\, director Serpentine Gallery\, London;\nHans Ulrich Obrist\, co-director of exhibitions and programmes Serpentine Gallery\, London;\nJochen Volz\, head of programmes\, Serpentine Gallery\, London\nSimon Castets\, Director Swiss Institute/Contemporary Art;\nand the artists Riccardo Paratore\, Niko Karamyan & Tierney Finster.
URL:https://fsrr.org/en/evento/re-rebaudengo-serpentine-grants-2/
LOCATION:Artissima\, Oval - Lingotto Fiere\, Torino
ATTACH;FMTTYPE=image/jpeg:https://fsrr.org/wp-content/uploads/442867517_640.jpg
END:VEVENT
END:VCALENDAR